

For Smith, life is laced with violence and a kind of dark humor, as in "The Museum of Obsolescence," where, "in the south wing, there's a small room/ Where a living man sits on display." In another poem, laughter "skids across the floor/ Like beads yanked from some girl's throat." Poems set on space shuttles or in alternate realities manage to speak about an eerily familiar present the title poem, which includes everything from "dark matter" and "a father./ who kept his daughter/ Locked in a cell for decades" to Abu Ghraib is proof that life is far stranger and more haunting than fiction.

The book's title, borrowed from a David Bowie song, hints at the recurrent use of science fiction and alternate realities (which turn out to mirror this one all too well) throughout the book. A collection of bold, skillful poems, taking readers into the universe and moving them to an authentic mix of. Laughlin Award%E2%80%93winner Smith's third collection blends pop culture, history, elegy, anecdote, and sociopolitical commentary to illustrate the weirdness of contemporary living. This is crucial, since Smith (like Saul Wil- I t is quite daunting to review Tracy Smiths Life on Mars (2011), which won the 2012 - liams, another artist.
